Landscapes

1 06 2014

Landscapes belong not only the realm of painters.  Textiles are a wonderful medium for natural scenes.  I have experimented with numerous fabrics, cutting and snipping to create three dimensional shrubs,  couching yarns to delineate different textures, and moods.  Creating “matted” frames or borders makes them wall-ready.

A Lake Scene, with different textures in the cloth and the quilting

A Lake Scene, with different textures in the cloth and the quilting

Detail of appliquéd tree

Detail of appliquéd tree

Layering of rocks

Layering of rocks

The texture of the quilting matches its element

The texture of the quilting matches its element

Lighthouse scene, moody sky

Lighthouse scene, moody sky

A variety of textured fabrics create a dynamic shore terrain

A variety of textured fabrics create a dynamic shore terrain

Textured quilting, and snipped greens for shrubs add dimension

Textured quilting, and snipped greens for shrubs
add dimension





Just Playing

25 05 2013

In a class at The City Quilter, given by Linda Hahn, we explored making numerous paper-pieced blocks that can be mixed and matched in a variety of ways to make dynamic quilts.  The class was titled New York Beauty Diversified.  Back at home, I made four of each kind of block in harmonious colors; don’t know what I will do with them yet, but I have been  playing on my design wall to check out the possibilities of just sets of four.

 

The Design Wall

The Design Wall

 

IMG_0954

Square in a Square blocks

Square in a Square blocks

Beauty in a Square 2

Beauty in a Square 2

Beauty in a square blocks

Beauty in a square blocks

Swirl blocks

Swirl blocks

Star Burst

Star Burst

Flower blocks

Flower blocks

Flower block 2

Flower block 2

NY Beauty  The Sun

NY Beauty The Sun

Quarter suns turned outward

Quarter suns turned outward

Half suns

Half suns

 





New York Beauty

15 06 2012

At an all-day Linda Hahn workshop at City Quilter in NYC, I enjoyed my inaugural experience in Paper Piecing.  I always wanted to learn how to make those really sharp points as used in NY Beauty, but was intimidated by the technique.  Linda’s class took the mystery away, and I felt emboldened.  The fabrics all came out of my stash, and I was thrilled that I had a batik in the colors and pattern to really frame and enhance the central theme.  There are many ways one could lay out the individual blocks, and after much “playing” I decided on this one.





Hailey 1

23 05 2010

This quilt is a variation on the Solstice quilts.  I loved making the curved blocks, and, utilizing pinks and greens with some darker elements made a sweet baby quilt for my grandniece.  I added prairie points for a delicate edging in the two primary colors.  The backing fabric is a very dramatic black with pink and green print.





Solstice 1

6 05 2010

My daughter commissioned a wall hanging quilt for her living room in California.  I decided on a drunkards path pattern, in muted pinks, blues, tans, reds, containing lots of birds and flowers, and a splash or two of black.  I added a doily crocheted by her great grandmother, as the “moon”,  an homage to the lady who taught my daughter how to crochet.  The room where this quilt hangs has a glass wall looking out over a magnificent native garden which host birds of all sorts.





Baby Rattles

5 04 2010

This is an example of a one block quilt.  I used a collection of 1930’s reproduction prints in an assortment of colors and patterns to create a baby quilt that is all softness.  I took all my clues from the curved shape of the pieces.